CAC All Events Archive - Page 2 of 19 - Le Caudan Waterfront

Le Cabaret des Absurdités

Après plusieurs mois d’initiation au théâtre sous la direction de Clémence Soupe, dix-huit élèves-comédiens montent sur scène pour présenter Le Cabaret des Absurdités, leur spectacle de restitution dans le cadre de The School.

 

À travers le travail du corps, le lâcher-prise et la rigueur du jeu absurde, ils explorent un univers où les repères se brouillent et la logique déraille joyeusement. Masques blancs, chœur mécanique et tableaux vivants s’entremêlent aux saynètes de Tardieu et Ionesco dans une succession rythmée de textes et de mouvements.

 

Une invitation à découvrir ou redécouvrir le théâtre de l’absurde, et à mettre ses zygomatiques à contribution.

 

Avec:

· Veemanda Seeneevassen

· Vanessa Obeegadoo

· Noor Baboo

· Carole Ricco

· Reshma Kholeegan- Zouioueche

· Françoise Vencatachellum

· Elise Moraux

· Marie Hélène Walter

· Gillian Geneviève

· Caroline Assy-Sohun

· Yashwini Devi Meenowa

· Jennita Sookramanien

· Alexia Schmiliver

· Vishali Aubeeluck

· Yoven L. Allagapen

· Anne-Charlotte Gnany

· Ishika Gooriah

 

Mise en scène par Clémence Soupe

Kontanporin 2026

Audrey-Holland Albert, Catherine Li, Devanand Bungshee, Hans Ramduth, Laetitia

McVeay , Mala Chummun Ramyead, Nalini Treebhoobun, Neermala Luckeenarain, Nirmal Hurry, Rishi Seeruttun, Salim Currimjee, Ismet Ganti

 

Initiée par feu Ismet Ganti aux côtés de Rishi Seeruttun, qui continue aujourd’hui à porter le projet, Kontanporin est née d’une volonté de créer un espace de rencontre entre différentes pratiques artistiques, où les œuvres peuvent dialoguer, se confronter et interroger leur époque.

Cette nouvelle édition poursuit cette intention en réunissant douze artistes aux univers et aux approches différents. Peinture, sculpture, installation, audiovisuel et autres formes d’expression se côtoient pour créer des correspondances entre les œuvres et faire émerger des préoccupations communes.

À travers des sensibilités propres à chacun, les artistes abordent des réalités qui traversent notre présent : notre rapport au temps, à nos territoires, à nos héritages, à l’environnement et aux transformations de nos sociétés. Les œuvres nous invitent ainsi à observer ce qui nous entoure, mais aussi à questionner ce que nous héritons, ce que nous transformons et ce que nous choisissons de transmettre.

Plus qu’une juxtaposition de pratiques, Kontanporin se construit dans les conversations qui apparaissent entre les œuvres et dans les différentes lectures qu’elles permettent.

Le public est invité à parcourir l’exposition avec curiosité, à prendre le temps d’observer ces dialogues et à construire sa propre lecture de cette nouvelle édition de Kontanporin.

Exposition à découvrir au Caudan Arts Centre jusqu’au 14 octobre.

 

Kontanporin 26

There exists a different relationship with ‘time’ between the modern and the contemporary. The modern is concerned with what is ‘recent’, the latest, the most actual, and obsesses with being up-to-date. It has a fixed target, and is focussed on reaching ‘there’. For its part the contemporary is in a step dance with time – like the saying goes, it takes two to tango – and the contemporary tangoes with time. It can flashback and rewind, explore alternative timelines, loop, but never stays static…it’s target is not a fixed one, it is continuous exploration.

 

It’s easy to mistake one for the other, to think that contemporary is just a new, modern, word for the modern, but it’s not. It is about relationships.

 

Like the relationship between the local (Kontanporin, written in Mauritian Creole, as a clear anchoring in local realities) and the global art world of installations, photography, videos and everything else. Moreover there is this inescapable reality of artworks that have a triple nature of being material objects on sale, and inscribed into these, individual reflexions that are personal landmarks for each artist, and beyond that, conduits for emotions to ‘touch’ souls. Intimately, these artworks reflect humanity’s triple dimension: a body, a mind and a psyche.

 

It is in this triple relationship that Kontanporin 26 has to be perceived/ read/ appreciated –  materialization, ideation and emotion – objects to be seen, textures to be felt; ideas to be understood and played with; but more importantly, emotions that unlock the doors of the heart, enable catharsis, and free the soul.

MISDIRECTION – Festival International de Magie – Édition 5

MISDIRECTION CÉLÈBRE SA 5E ÉDITION ! 

Depuis sa création, MISDIRECTION – Festival International de Magie poursuit une ambition : faire venir à l’île Maurice des artistes parmi les plus remarquables de la magie internationale et offrir au public un spectacle digne des grandes scènes mondiales. 

Au fil des éditions, MISDIRECTION a réuni des champions de magie, artistes primés dans des compétitions internationales, magiciens vus dans de grandes émissions de télévision et performeurs ayant présenté leurs numéros sur des scènes prestigieuses à travers le monde. 

Des artistes aux univers totalement différents, sélectionnés pour une seule raison : l’excellence et leur capacité à créer l’impossible devant les yeux du public. 

Grandes illusions, manipulation, magie visuelle, mentalisme, humour, poésie, apparitions, disparitions et performances défiant toute logique… MISDIRECTION explore la magie sous toutes ses formes. 

Et pour sa 5e édition, le festival prépare un spectacle encore plus ambitieux.

Pendant près d’1h45, une nouvelle sélection de magiciens internationaux se succédera sur scène avec des numéros spectaculaires, dont certains seront présentés pour la toute première fois à l’île Maurice. 

MISDIRECTION n’est pas simplement une succession de numéros de magie. Chaque édition est pensée comme un véritable grand show international, rythmé, visuel et spectaculaire, réunissant sur une même scène plusieurs univers et plusieurs générations de la magie. 

Un spectacle capable de faire rêver les enfants, de surprendre les adultes et de rappeler à chacun cette sensation devenue rare : ne plus chercher à comprendre et simplement s’émerveiller. 

Après quatre éditions, des artistes venus des quatre coins du monde et des milliers de spectateurs, MISDIRECTION célèbre aujourd’hui une étape majeure de son histoire : sa 5e édition. 

Et pour cet anniversaire, le festival revient symboliquement là où toute l’aventure avait commencé : au Caudan Arts Centre, scène de la toute première édition de MISDIRECTION. 

Les 21 et 22 novembre 2026, préparez-vous à découvrir un nouveau casting international, de nouvelles illusions et de nombreuses surprises pour une édition anniversaire qui promet d’être la plus spectaculaire à ce jour. 

MISDIRECTION – ÉDITION 5 

5 éditions.
Des champions de magie.
Des artistes internationaux.
Des milliers de spectateurs.
Et toujours cette même envie : repousser les frontières de l’impossible. 

AH KEW … Ah La Vie!!!

Ah Kew, le marchand de boulettes bien connu du public mauricien, est de retour dans une nouvelle aventure pleine de rebondissements ! 

 

Cette fois, il a décidé de prendre une semaine de congé pour profiter enfin d’un peu de tranquillité avec Rita. Mais ses vacances en amoureux prennent rapidement une tout autre tournure lorsque sa mère Ah Moy et son fils Ping débarquent à la maison. Et ce n’est que le début : Gaspard, l’ex de Rita, refait surface avec la ferme intention de la reconquérir, tandis que Ton France se rapproche dangereusement d’Ah Moy… 

 

Ajoutez à cela une voisine beaucoup trop curieuse, de nouvelles histoires de cœur, quelques personnages aussi maladroits qu’imprévisibles et une caméra de surveillance qui pourrait bien révéler plus de choses que prévu ! Entre amour, jalousies, secrets, quiproquos et joyeux chaos familial, Ah Kew parviendra-t-il à sauver ses vacances… et surtout son couple ? 

 

Une comédie familiale rythmée et pleine de surprises, portée par une galerie de personnages hauts en couleur. 

 

Avec : 

Alexandre Martin -  Ah Kew 

Logan Mariejeanne -  Kenny 

Gregory Thiboudois(D-jok) -  Mic Mic 

Alessandro Chiara -  Mofine 

Daren Nelson -  Ping 

Christophe Moonesamy – Ton France 

William Ernest – Avrel 

Bertie Sinien(Berto) – Gaspard 

Cindy Pierre-Bouf – Rita 

Martine Charrie – Ah Moy 

Lydia None – Matilda 

Yovanee Sevunthana – Sadna 

Keinan Martin – Augustin  

Dwayne Martin – Mika  

ALMA FLAMENCA

COMPAÑÍA SOPHIA SPANISH DANCE COMPANY IN COLLABORATION WITH THE  EMBASSY OF SPAIN IN SOUTH AFRICA PRESENTS: ALMA FLAMENCA 

An authentic and vibrant blend of Flamenco, Danza Estilizada (Classical Spanish Dance) and Contemporary Spanish Dance, bringing the passion, elegance and diversity of Spanish dance to the stage. 

Audiences can look forward to the atmosphere and excitement of traditional Flamenco, reminiscent of the tablaos of Spain, with elaborate costumes, expressive movement and all the elements that make Flamenco such a captivating theatrical experience. 

From the intricate rhythms of castanet works to the infectious energy of Bulería and Rumba, the programme moves between powerful footwork, dynamic rhythms and moments of striking musicality. Classical Spanish repertoire is also represented through works such as La Boda de Luis Alonso, showcasing the elegance, precision and theatrical character of Spanish dance beyond Flamenco. 

With multiple costume changes, traditional Spanish props including shawls and fans, and selected multimedia elements that bring imagery of Spain and the dancers themselves into the performance, Compañía Sophia creates a visually rich and varied production. 

Featuring choreography by Carli Olivier, alongside works by renowned Spanish choreographers, the programme celebrates the many faces of Spanish dance – from the raw energy and passion of Flamenco to the refinement of Classical Spanish Dance and the freedom of contemporary interpretation. 

A true feast for the senses, the programme offers something for everyone: rhythm and energy, elegance and beauty, tradition and contemporary expression, all brought together in one vibrant celebration of Spanish dance. 

 

COMPAÑÍA SOPHIA 

Founded and led by Spanish dance artist Carli Sophia Charlotte Olivier, Compañía Sophia has established itself as a leading Spanish dance company in South Africa, captivating audiences through a series of acclaimed and sold-out productions. 

Since its debut at the Etienne Rousseau Theatre in Sasolburg, the company has performed at prestigious venues including Pieter Toerien’s theatres in Johannesburg and Cape Town, Oude Libertas and the Etienne Rousseau Theatre, as well as performing nationally and abroad. Its repertoire includes original productions such as Recuerdos, Romanza and Sueños, alongside performances and collaborations across the South African arts and cultural landscape. 

Compañía Sophia has collaborated with a diverse range of artists and organisations, including renowned guitarist James Grace, underwater photographer Ilse Moore, the South African Lipizzaners, WGRUV and Spanish-born artist Lourdes Zelaya. The company has also performed nationally as part of Last Night of the Proms with conductor Richard Cock. 

At the heart of Compañía Sophia is a commitment to presenting Spanish dance in its many forms, combining the tradition and artistry of Flamenco with Classical and Contemporary Spanish Dance. 

The company continues to create original productions under the artistic direction of Carli Olivier, bringing together established repertoire, new choreography and collaborations to create engaging theatrical experiences that celebrate Spanish dance and culture. 

 

CARLI OLIVIER 

Founder | Artistic Director | Choreographer | Principal Dancer 

Carli Sophia Olivier is the founder and artistic director of Compañía Sophia and Carli Spanish Dance Productions, and an accomplished principal dancer, teacher and choreographer with a lifelong dedication to Spanish dance. 

Carli holds the international Professor de Baile qualification, achieved under the tutelage of Dame Luisa Cortes, and has directed and choreographed eighteen original productions. Her work encompasses Flamenco, Classical and Contemporary Spanish Dance, with a particular focus on bringing the richness and diversity of Spanish dance to the stage. 

Her choreography has been presented at leading South African venues and as part of significant Spanish dance productions, including España, the South African Spanish Dance Society’s 50th anniversary celebration, where her choreography Cordero de Dios was featured. She later directed and organised the Society’s 58th and 60th anniversary productions, further contributing to the development and celebration of Spanish dance in South Africa. 

Carli was nominated for a Naledi Theatre Award for Best Performance in Dance and Physical Theatre in 2024. She is also a recipient of the Spanish Dance Society President’s Award, recognising her contribution to the Society and the development of Spanish dancers in South Africa, and the GTCOC Ambassador of Culture Award, recognising her contribution to the cultural landscape. 

Carli is an executive committee member and international examiner for the Spanish Dance Society, contributing to the assessment and development of Spanish dance at an international level. 

She travels annually throughout Spain, particularly in the south, including Jerez, to immerse herself in the current Flamenco landscape and attend the annual Festival de Jerez, ensuring that her artistic practice remains connected to the international Spanish dance community. 

Throughout her career, Carli has also worked internationally, including in the United States, Australia, Thailand, Mauritius and Zimbabwe . 

An Evening of Classical Music: Zarina Shimanskaya (piano) and Sergey Skorokhodov (tenor)

The programme features masterpieces of world classical music performed by two brilliant musicians from St. Petersburg. Pianist Zarina Shimanskaya, laureate of international competitions, performs in the world’s finest venues, including London’s Wigmore Hall, Salzburg’s Mozarteum, Hamburg’s Laeiszhalle, the Great Hall of the Moscow Conservatory, and the Concert Hall of the Mariinsky Theatre. Zarina Shimanskaya collaborates with outstanding conductors, including Valery Gergiev, Teodor Currentzis, and Yuri Bashmet.

 

Her stage partner is Sergey Skorokhodov, a leading soloist of the Mariinsky Theatre and Honoured Artist of the Republic of Bashkortostan; he has performed at the stages of the Metropolitan Opera, La Scala, the Paris National Opera, and the Bavarian State Opera, and his repertoire includes over 50 opera roles.

 

Together, they will create an atmosphere of a refined musical evening, where virtuoso piano performance and an expressive tenor will deliver an unforgettable experience.

 

Zarina Shimanskaya (piano):

Born in St. Petersburg, Zarina Shimanskaya graduated from the Rimsky-Korsakov St. Petersburg State Conservatory (class of Nina Seryogina), completed postgraduate studies at the Conservatory (class of Sergei Uryvaev), and earned a Master’s degree from the Hamburg University of Music and Theatre (class of Evgeny Korolyov). A laureate of international competitions, she tours extensively throughout Russia, Europe, and Asia as a soloist and with symphony orchestras.

 

As a chamber musician, she regularly performs with artists including Kristóf Baráti, István Várdai, Nadja Michael, Albina Shagimuratova, Wilfried Strehle, Marc Bouchkov, Daniel Lozakovich, Vasily Stepanov, Dennis Gasanov, Pavel Romanovsky, the Berlinka Quartet, and many others. As a soloist, she has collaborated with conductors Valery Gergiev, Alexander Sladkovsky, Teodor Currentzis, Yuri Bashmet, Christian Knapp, Alexander Rahbari, Ivan Rudin, Valentin Uryupin, Ramil Martynov, Dmitry Sinkovsky, Mikhail Simonyan, Sergei Oselkov, Fyodor Lednev, Karen Durgaryan, Alexey Nyaga, Ivan Stolbov, Gurgen Petrosyan, Yuri Demidovich, Yuri Medianik, Alexey Morgunov, and others.

 

She has performed at Wigmore Hall in London, the Mozarteum in Salzburg, the Laeiszhalle in Hamburg, the Mariinsky Theatre Concert Hall, the Great Hall of the Moscow Conservatory, the Great Hall of the St. Petersburg Philharmonia, Novaya Opera in Moscow, Gasteig in Munich, and the Radialsystem in Berlin, as well as at the International Diaghilev Festival in Perm, the Piano Festival at the Brucknerhaus in Linz (Austria), the Verbier Music Festival (Switzerland), the “Stars of the White Nights” Festival (St. Petersburg), and the “Faces of Modern Pianism” Festival (St. Petersburg).

 

Notable events of the 2025–2026 season include a solo recital at the Mariinsky Theatre Concert Hall (April 2026), highly acclaimed solo tours in Italy, the performance of Valery Voronov’s concerto dedicated to her with Maestro Christian Knapp and the Mariinsky Orchestra, Rachmaninoff’s Second Concerto with Alexander Sladkovsky conducting at the Yerevan Opera Theatre, and Tchaikovsky’s First Concerto with the State Academic Symphony Orchestra of Bashkortostan in Ufa under the baton of Dmitry Kryukov.

 

Sergey Skorokhodov (tenor):

He is called “one of the crown jewels of the Mariinsky Theatre”. A strong, pure voice with a captivating upper register, impeccable technique and exquisite vocal mastery make Sergey Skorokhodov a highlight of any performance. His premieres are eagerly anticipated by connoisseurs: each role becomes a major theatrical event.

 

A native of St Petersburg, he began his musical journey at the age of six at the Glinka Choral College, and later continued his studies at the St Petersburg Conservatory. While still a student, he was honoured to join the Mariinsky Theatre Academy of Young Opera Singers, and his debut on the main stage in 1999 under the baton of Maestro Gergiev marked the beginning of a brilliant career. Since 2007, Sergey has been a leading soloist of the Mariinsky Theatre.

 

His voice resonates on the world’s finest opera stages – from the Metropolitan Opera and La Scala to the Paris National Opera and the Bavarian State Opera. Collaborations with the greatest conductors of our time – Valery Gergiev, Zubin Mehta, Riccardo Muti – and performances with outstanding singers, including Anna Netrebko, confirm his status as one of the most sought‑after tenors in the world. In 2018, he was awarded the title of Honoured Artist of the Republic of Bashkortostan.

Rencontre Symphonique

Vous entendrez des concertos et symphonies et d’autres œuvres. Les compositeurs présentés seront entre autres ; Haydn, Mozart, Tchaïkovski, Mendelssohn, Saint-Saëns, Grieg, Il y aura aussi une œuvre d’un compositeurs Mauricien.

Les points forts seront la suite de Water Music d’Haendel, le concerto pour piano N° 21 de Mozart (2e mouvement), une symphonie de Mendelsohn, un extrait de la suite Peer Gynt de Grieg, une pièce de Tchaïkovski pour violoncelle solo et orchestre, le concerto pour guitare de Villa-Lobos, des extraits de « My Fair Lady » avec Sophie Némorin, Estelle Cathan, et Jessica Babet et le « Brindisi » de La Traviata avec Véronique Zuël et Jean-Michel Ringadoo,

Ce concert est soutenu par d’importantes compagnies mauriciennes et deux fondations internationales : Laurence Modiano Charitable Trust de Londres et Freunde der Opera Mauritius de Berlin.

C’est une opportunité unique à ne pas manquer.

Ti Albert : La Malédiction de Lunéval

Inspiré du célèbre jeu Loup-Garou, Ti Albert : La Malédiction de Lunéval est le nouveau spectacle de fin d’année de l’Elite Dance Company, une création originale mêlant danse, théâtre, mystère et participation du public.

Bienvenue à Lunéval, un village autrefois protégé par l’esprit de la lune. Chaque nuit, sa lumière veillait sur les habitants et éloignait les ténèbres. Mais tout changea lorsqu’un homme osa blesser l’esprit qui les protégeait. Depuis cette nuit maudite, la lune s’est retournée contre le village.

À chaque tombée de la nuit, certains Lunévaliens se transforment en loups-garous. Les alliances se brisent, les secrets émergent et chacun cache sa véritable nature. Pourtant, quelques habitants possèdent encore des dons mystérieux laissés par la lune… des pouvoirs peut-être capables de sauver Lunéval.
Dans cette adaptation scénique inspirée de l’univers du jeu Ti Albert / Loup-Garou, le public ne sera pas simple spectateur : il devra observer, suspecter, intervenir et influencer le destin des personnages. Chaque décision pourra changer le cours de l’histoire jusqu’à déterminer la fin du spectacle.
Entre chorégraphies puissantes, atmosphère fantastique et tension permanente, Ti Albert : La Malédiction de Lunéval promet une expérience immersive et captivante où la frontière entre scène et public disparaît.
À Lunéval, la nuit révèle ce que le jour dissimule… Et les loups-garous sont peut-être déjà parmi vous.

Inshō: Ithemba Elisha (A New Hope)

27 August to 20 September 2026

Some artists are born into their practice. Others are called to it, after years of living a different life, until the pull of creative expression becomes impossible to ignore.

inshō is one of the latter.

A Mauritian visual artist and creative director, inshō spent eighteen years working in the financial sector after studying actuarial sciences in London. Numbers, models, probabilities, a world built on certainty and calculation. And yet, beneath that precision, something else was always at work. A way of seeing. A need to question. A conviction that the stories we tell ourselves about the world are never quite the whole truth.

When he chose art full-time, he did not simply change careers. He changed languages.

Today, inshō’s practice sits at the intersection of narrative, symbolism and the human relationship with the natural world. Working primarily in painting and drawing, he builds layered, immersive worlds, rich in colour, dense with meaning, that ask uncomfortable questions and resist easy answers. His work has been exhibited locally and internationally, earning him the Artist of the Year Award in 2022, the Impact Prize at the Samudra Art Prize in 2024, and a place in the Social Art Award 2025 publication in Berlin.

Bienvenue dans notre galerie !

Ithemba Elisha , a phrase borrowed from the Zulu language, meaning A New Hope . arrives at the Caudan Arts Centre at a moment when hope feels both urgent and fragile.

Inspired by the philosophical themes of Milton’s Paradise Lost, the exhibition does not retell a familiar story. It reimagines it. Set within an imagined African landscape, the works trace a symbolic allegorical journey in which humanity gradually becomes the architect of its own undoing, through greed, excess and a deepening disconnection from the natural world it was once part of.

Animals move through the canvases as witnesses, guardians and messengers. Mountains, rivers and skies stand as silent presences, older than humanity, patient enough to outlast it. The works do not flinch from what is already set in motion: extinction, environmental degradation, the slow erosion of our relationship with the living world. These are not distant warnings. They are realities unfolding now.

And yet.

Ithemba Elisha is not a story of despair.

At the heart of every work in this exhibition lies something more difficult and more necessary than grief: the possibility of renewal. Through symbols of transformation,

resilience and coexistence, inshō imagines a path beyond destruction, a future in which humanity rediscovers its place within, rather than above, the living world.

Hope, here, is not a given. It is a choice. The willingness to believe that another future remains possible and to act as though it does.

Rather than offering definitive answers, Ithemba Elisha invites you to slow down. To look beyond what is immediately visible. To follow the symbols, trace the connections, and find your own place within the story being told.

Each work is a doorway. What lies beyond it is yours to discover.

 

Ithemba Elisha is exhibited at the Caudan Arts Centre from 27 August to 20 September. Free entry. Open to all.